Final Cut in Venice, workshop to support the post production of films from Africa, Iraq, Jordan,Lebanon, Palestine and Syria in the framework of the Venice Production Bridge of the 73rd edition of the Venice International Film festival, ended up yesterday with the award ceremony.
The partners of the fourth edition of Final Cut in Venice have decided to give their support to the following films in post-production:
FELICITY / FÉLICITÉ by Alain Gomis (France/Senegal/Belgium)
Producer: Arnaud Dommerc
which has been supported by:
– Sub-Ti Ltd. (London) is giving up to € 7,000 for the production of a DCP master and Italian or English subtitles,
– Sub-Ti Access Srl (Turin) is giving up to € 7,000 for the accessible contents of the film for audiences with sensory disabilities,
– Rai Cinema is giving € 5,000 for the purchase of two-year broadcasting rights,
– the Organisation Internationale de la Francophonie (OIF) is giving € 5,000.
THE WOUND / ISIKO by John Trengove (South Africa/ Germany/France/Neterland))
Producer: Elias Ribeiro
which has been supported by:
– Mactari Mixing Auditorium (Paris) is giving up to € 15,000 for the sound mixing,
– Titra Film (Paris) is giving up to € 10,000 for digital color correction, for the production of a DCP master and French or English subtitles.
GHOST HUNTING / ISTIYAD ASHBA by Raed Andoni (Palestine/ France/Switzerland))
Producer: Palmyre Badinier
which has been supported by:
– Laser Film (Rome) is giving € 15,000 for the color correction for up to 50 hours of work (technician included),
– the Festival International du Film d’Amiens is giving a participation in the production costs of a DCP.
OBSCURE / OTMAH by Soudade Kaadan (Syria/Lebanon
Producer: Salma Kaf
which has been supported by:
– MAD Solutions is giving a participation in the marketing, publicity and distribution in the Arab World,
– the Festival International de Films de Fribourg is giving a participation in the production costs of a DCP.
